The Bank Show
It is easier to imagine the end of the world than the end of the current order of capitalism. – Fredric Jameson
“The BANK Show, Vive le Capital” explores, celebrates, and critiques the omnipresent power of global finance through its site-specific venue, the former Bank Union building (est. 1925). From early incarnations of international banking on Shanghai’s Bund to the accelerated 21st century, the fate of humanity has become more and more contingent on the oscillation of global capital. Through this exhibition twenty-three artists examine experiences with multinational capitalism: its virtues and vices, catches and loopholes, and what it renders visible or precarious along a discursive discourse from Marx to Piketty.
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Gianni Motti 詹尼·莫提, Money Box 储蓄罐, 2013 - 2015
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Liao Guohe 廖国核, Nam June Paik and Ji Kang 白南准与嵇康, 2005
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Heidi Voet 海蒂·芙欧特, Stars & Constellations 星与星群, 2013
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Wang Sishun 王思顺, Uncertain Capital 不确定资本, 2009
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Dieter Meier 迪埃特·迈耶, Two Words 两个单词, 1971
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Marcus Yee and Heman Chong 余昱昀和张奕满, Happy Birthday To You 祝你生日快乐, 2015
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Liao Guohe 廖国核, Qian Yun Hui (Money Cloud Meet) 钱云会, 2014
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Kelvin B. Lee 李启万, TRANSFORMERS: THE PREMAKE 变形金刚:前制作, 2014
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Christoph Draeger 克里斯托夫·德尔格, Vendedor subterráneo del dia final (Underground Doomsday Vendor) 末日地下小販, 2015
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The Raqs Media Collective Raqs媒体小组, Rwe-Run (Re-Enactment of Henri Cartier Bresson’s Photograph of A Bank Run in Shanghai in 1948) 重演 (重现亨利·卡蒂埃·布列松记录1948 年在上海发生的一次银行挤兑的摄影作品), 2013
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Javier Viver 哈维尔·维尔, The New China 新中国
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Rainer Ganahl 加纳尔·雷纳, Das Zählen der letzten Tage der Sigmund Freud Banknote / Counting the last days of the Sigmund Freund money,, 2002