﹒Ocula
Gallery Weekend Beijing Reveals 10th Anniversary Programme
In its preview of the 10th anniversary edition of Gallery Weekend Beijing, Ocula notes the return of the Visiting Sector after its brief absence in 2025, highlighting BANK among this year’s invited participating galleries. The report situates BANK within the international scope of this year’s programme, which brought together 30 galleries and 10 non-profit institutions across Beijing.
﹒ARTBBS
Beijing Art Season 2026 | Who Is Producing the Scene?
In ARTBBS’s overview of Beijing Art Season 2026, BANK’s presentation in the Visiting Sector is highlighted through Liang Hao’s solo project, Visitors. The article notes that BANK transformed the exhibition space into a still-active artist’s studio, bringing together the site of creation, the traces of inspiration, and suspended gestures, all awaiting the arrival of viewers. BANK’s presentation is described as part of the return of the Visiting Sector, which reopened space for more concentrated viewing and exhibition-making within the broader intensity of the art week.
﹒The Art Journal China
Gallery Weekend Beijing Enters Its Tenth Year: Experiencing the Continued Surge of Contemporary Art in This City
In The Art Journal China’s coverage of the 10th edition of Gallery Weekend Beijing, BANK is noted as one of the returning participants in the Visiting Sector, presenting Liang Hao’s solo project Visitors. The article describes the project as restoring the exhibition space to the condition of a working artist’s studio, where the site of production, traces of inspiration, and suspended actions are revealed together. It positions BANK’s presentation within a broader discussion of how the Visiting Sector creates conditions for slower, more sustained viewing amid the wider pace of the art week.
﹒99 Art
The Visiting Sector Returns to Gallery Weekend Beijing, Building a New Field Between Speed and Slowness
In 99 Art’s interview feature on the return of the Visiting Sector, BANK is quoted as describing Gallery Weekend Beijing as “an opportunity to slow down, carefully plan, and fully present an exhibition.” The article highlights Liang Hao’s solo project Visitors, noting that the exhibition space originally functioned as an active artist’s studio. It also describes BANK’s installation strategy as one that preserved the raw industrial structure of A07, with a wooden wall at the entrance, paintings hidden among bookshelves and drawers, and video embedded behind the wall — disrupting the all-at-once display logic of a conventional art fair and inviting viewers to search and discover for themselves. The article further notes BANK’s view that the slower pace of Gallery Weekend allows collectors to make more considered decisions and offers a fuller perspective on an artist’s value within a specific context.
﹒IDEAT
IDEAT weekly news | Gallery Weekend Beijing Arrives—A Look at Art and Life After Grain Buds
In IDEAT’s weekly news roundup, BANK’s presentation at Gallery Weekend Beijing 2026 is introduced through Liang Hao: Visitors. The article describes the project as transforming the exhibition space into an active artist’s studio, where the site of creation, the traces of inspiration, and suspended actions are all presented together, awaiting the arrival of viewers.
﹒ArtReview
ARC First Person | Beijing Will Wash Through Every Hollow Soul
In ArtReview China’s first-person essay on this year’s Gallery Weekend Beijing, BANK’s presentation of Liang Hao: Visitors is singled out as one of the few projects in the Visiting Sector that carefully constructed a narrative relationship between the work and the space. The article notes that, among the presentations in the section, Visitors stood out for the way it meaningfully articulated the connection between exhibition-making and site, and reflects on its resonance within the broader atmosphere of the art week.
