梁浩的作品《比如丝绸》与《烈酒》与陈若璠的作品《尘 (静帧191F)》和《末节-冰呢 (10月13日)》展于贝浩登（上海）展览“捕云者”。展览从夏尔・波德莱尔发表于《巴黎的忧郁》的散文诗〈异乡人〉（1962）中汲取灵感，囊括来自不同世代与背景的18位艺术家凭借其突破具象与抽象之二元性的独特创作方式回应“捕云者”所暗示的目标姿态，以确认自我定位的流动性。
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