东京现代艺博会 2025: DOKU,梁浩,林明弘,博尼·拉米雷斯,王芮
在今年的东京现代艺博会中,BANK画廊聚焦身体感知与历史叙事重构的媒介性探索,呈现DOKU、梁浩、林明弘、博尼·拉米雷斯、王芮五位艺术家作品。
神秘的电子分身DOKU,融合了佛教观念、神经科学与现代技术,艺术家轮回在各种电子皮肤而实现终极的永生。梁浩以手部动作为核心,通过技术幻景与艺术史图像的重构,审视手的技术性与情感意识的流转。林明弘的公共绘画装置布满世界各地,他借鉴具有历史意义的纺织品图案设计,让绘画成为让人得以安置、栖身的物理空间。博尼·拉米雷斯出身于多米尼加共和国,他将自己笔下加勒比风格的人物置于象征性的环境中,邀请观众窥探被遮蔽的种族历史。王芮用铅笔绘画解构物质实体,在笔触与肌理中建立意识与身体的坐标联结。
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Liang Hao, Craft Beer Bar, 2025, oil on canvas, 60 × 40 cm. Courtesy of BANK and the artist
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Liang Hao, Ornithologist, 2024, oil on canvas, 40 × 30 cm. Courtesy of BANK and the artist
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Liang Hao, Sly Ghost, 2025,oil on linen mounted on wood panel, 30 × 40 cm. Courtesy of BANK and the artist.
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Wang Rui, Descending into, the promise land, 2025, Synthetic paper, graphite, protective paint, tin, copper, lace fabric, wooden frame, 100 x 120 cm. Courtesy of BANK and the artist.
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Wang Rui 王芮, The oracle as a fragment of the scene 神谕作为场景的碎片, 2022 - 2023
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Wang Rui, An Orison of Sonmi-451, 2024, Tin, copper, 180 x 200 cm. Courtesy of BANK and the artist.
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Wang Rui, Punishment hill, 2025, Synthetic paper, graphite, protective paint, tin, copper, lace fabric, wooden frame, 60 x 90 cm. Courtesy of BANK and the artist.
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Bony Ramirez 博尼·拉米雷斯, To Dance 跳舞, 2024